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Phil Douglis | all galleries >> Galleries >> Gallery Twenty: Controlling perspective with the wideangle lens > White House ruin in context, Canyon de Chelly, Arizona, 2007
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08-NOV-2007

White House ruin in context, Canyon de Chelly, Arizona, 2007

The thousand foot high cliffs of Canyon de Chelly rise straight up from the canyon floor, overshadowing everything down below, including the ancient ruins known as The White House. The magic of a “cliff house” comes from its setting in a niche carved into the walls of a vast canyon. To give a sense of he sheer scale of this house’s setting, I used a 28mm wideangle lens here, embracing the old ruins at the site’s base for the sake of comparison. I fill in the top with leaves and branches. Their downward thrusts echo the downward thrust of the directional flow on the rock itself. By using a true wideangle format, I can get close enough to express the detail on both buildings and rocks, yet still express the nature of the Canyon itself – vast in scale, brilliant in color.

Leica D-Lux 3
1/500s f/8.0 at 6.3mm iso100 full exif

other sizes: small medium large original auto
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Phil Douglis12-Dec-2007 19:50
Well said, Jenene -- we know so little of these people, but we can marvel at how they managed to survive in such a harsh place as the side of a cliff. This image is just such a reminder.
JSWaters12-Dec-2007 07:12
Your wide angle format emphasizing the vastness of the canyon also serves as a reminder of just how incredibly harsh this existence was for the cliff dwellers. It appears the only protection from the elements was to learn to use the elements as protection.
Jenene
Phil Douglis03-Dec-2007 18:31
Thanks, Tricia, for your comment. This image is all about the balance between what is alive and what is not. The old ruins are evidence of lives that have come and gone, while the trees, shedding golden leaves, are still very much us. The flow of texture on the cliff animates the inanimate.
flowsnow03-Dec-2007 14:22
Love the texture and the shadow, adds life to the image.
Phil Douglis26-Nov-2007 01:38
Thanks, Ceci for commenting on the rock pattern as symbolic rays of light. I thought so as well. Thanks, too, for seeing the role of scale here, as well as the important role played by the wideangle lens. As I noted, it allowed me to move in close enough to show some detail in the ruins, yet still get virtually the entire sweep of the canyon wall into the frame.
Guest 25-Nov-2007 10:20
What a dramatic image, Phil! Absolutely gorgeous, elegant, filled with majesty, super perspective and great depth and scale of detail. I love the orange leaves at the top of the picture, the long, slanting striations down to the cliff dwellings that remind me of rays of light, or even light from a "space craft" hovering above, as though long ago the Indians who lived here were beamed aloft into another universe, never to be seen again. It's astonishing that they could have sustained life in such a harsh environment, but of course they did, with ingenuity, perserverence, practicality, imagination, and for a while, success. Thank you for mentioning the lens you used to get this extraordinary photo, it's out of this world!
Phil Douglis23-Nov-2007 05:29
Thanks, Patricia, for appreciating how the perspective offered by the wideangle lens expresses the huge scale of the walls of Canyon de Chelly. The White House Ruin is the subject here, but the real subject is the size of its setting.
I also zoomed in on the White House Ruin in another image -- I sacrificed its setting in that one for its history. The writing on its walls tell that story. (Seehttp://www.pbase.com/pnd1/image/89129537 ) There is no one way to express ideas about any subject -- as the saying goes, there are many ways to skin a cat.
Patricia Lay-Dorsey23-Nov-2007 03:43
Phil. as I'd mentioned earlier I spent some time in Canyon de Chelly back in 1994, so I know how this looks with the naked eye. Your photo is the first I've seen that accurately exresses the vast size of the canyon walls in relation to the ruins. Usually photographers zooom in on The White House which gives detail but loses the context. In this gallery you are helping me see the importance of scale, depth and context.
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