I juxtapose this Gormley figure standing atop 245 Fifth Avenue with a softly focused foreground screen of vintage New York architecture, giving the sculpture context in time as well as space.
Thanks for noting his position, Carol. It seems to be standing on his own little corner of the building because of how I moved, framed, and blocked out the rest of the building he was standing on with the older building at right.
I see he still hasn't jumped! It looks so realistic, I admit I did a double take when I saw this. I like how the figure seems perched on his own little next corner of the building.