photo sharing and upload picture albums photo forums search pictures popular photos photography help login
Type your message and click Add Comment
It is best to login or register first but you may post as a guest.
Enter an optional name and contact email address. Name
Name Email
help private comment
Phil Douglis | all galleries >> Galleries >> Gallery Fifty Three: creating energy through tension > Waiting for the tram, Tunis, Tunisia, 2008
previous | next
06-NOV-2008

Waiting for the tram, Tunis, Tunisia, 2008

This image is all about hands, arms, and space. The woman waiting for her tram creates a square with her arms, as if subconsciously defending her space. She leans on a wall as she waits, while a man leans on a post adjacent to that wall. I cropped him out of my frame, leaving only his arm and hand to press against that post. The woman ignores his presence, yet we can feel the tension generated by the intrusion of the man’s hand into the frame. The battered post adds context – it is a well-worn barrier, separating two strangers in space.

Leica V-Lux 1
1/40s f/3.7 at 88.8mm iso100 full exif

other sizes: small medium large original auto
share
Phil Douglis11-Dec-2008 01:05
Thanks, Rusty -- I was struck by her simple, unadorned beauty as well. There is also a sense of dignity in her bearing, particularly given the invasion of her space here. Or does she even notice?
russellt11-Dec-2008 00:25
she is quite beautiful. I am stopped by the light on her face and her expression. wonderful composition, exposure, framing against what? a black presence... that hand sneaking into the edge of the frame adds something extra.
Phil Douglis01-Dec-2008 00:34
You are correct -- there is an innate sense of tradition, modesty and decorum in her dress and manner as well as in her instinctive response to the hand that comes from nowhere to rest only a few inches from her head. Thanks for noting the cultural aspects of this image, Tim.
Tim May30-Nov-2008 23:44
Her covered head also evokes, for me, an awareness of the rules of interaction between men and women in a Muslim nation.
Phil Douglis28-Nov-2008 23:31
The absence of the rest of the figure at left not only charges the image with tension, but as you note, it stimulates our imaginations to picture the intruder in our own way. And that is what all expressive images should do -- stimulate the imaginations of the viewers.
Carol E Sandgren28-Nov-2008 22:49
The absence of the rest of the figure to the left besides the hand lets us imagine a scenario in our minds. I like images that let me do that.
Type your message and click Add Comment
It is best to login or register first but you may post as a guest.
Enter an optional name and contact email address. Name
Name Email
help private comment