I have a can of picture neg film and neg track originally from MovieLab. Rather than the picture neg being on negative stock, on appears to be a neg on print stock ( current guess). Te marking on the side of the neg says “Eastman 23 safety film”
The year is 1970. I talked to the film maker a few years ago but I am not sure they dealt with the technical side of it.
Also in the gallery are the lab cards that were wit the can. The positive renderings are from some automatic software (but does not give stable colours).
I notice the film seems to have limited dynamic range and would require a lot of “curve correction shot to shot. The lab card suggests this may have bee the case when printing to positive film.
Would this negative have been used to make a final print?
Why would this type of negative been used?
It appears to be a CRI (color reversal intermediate). It was a one step process to get from original negative to duplicate neg without making an interpositive. It had the advantage of getting to a printing neg in one step, which was helpful in 16mm, but it had several disadvantages as well. It reversed the standard print orientation, introduced more white dirt and caused more color and contrast problems in the final print.
It was phased out when Kodak introduced 5243/7243 color intermediate, a much better stock.